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Jaime Rebanal

  • ‘Kiki’s Delivery Service’ Review: How Miyazaki Finds Magic in What We Love
    May 8, 2020

    ‘Kiki’s Delivery Service’ Review: How Miyazaki Finds Magic in What We Love

    Jaime Rebanal
  • ‘Nausicaä of the Valley of the Wind’ Review: Miyazaki’s Search for Hope Under Bleak and Tragic Circumstances
    May 3, 2020

    ‘Nausicaä of the Valley of the Wind’ Review: Miyazaki’s Search for Hope Under Bleak and Tragic Circumstances

    Jaime Rebanal
  • ‘Perfect Blue’ Review: Confronting False Idols in Satoshi Kon’s Debut Feature
    April 22, 2020

    ‘Perfect Blue’ Review: Confronting False Idols in Satoshi Kon’s Debut Feature

    Jaime Rebanal
  • ‘Onward’ Review: Pixar’s Latest Isn’t Exactly a Step Forward
    April 19, 2020

    ‘Onward’ Review: Pixar’s Latest Isn’t Exactly a Step Forward

    Jaime Rebanal
  • ‘Dead Ringers’ Review: A Psychologically Visceral Tale of Symbiotic Horror
    March 19, 2020

    ‘Dead Ringers’ Review: A Psychologically Visceral Tale of Symbiotic Horror

    Jaime Rebanal
  • Jaime’s Film Diary: March 15, 2020
    March 15, 2020

    Jaime’s Film Diary: March 15, 2020

    Jaime Rebanal
  • ‘The Invisible Man’ Review: A Modern Spin on a Classic Horror Story with a Very Real Looming Fear
    March 4, 2020

    ‘The Invisible Man’ Review: A Modern Spin on a Classic Horror Story with a Very Real Looming Fear

    Jaime Rebanal
  • Jaime’s Film Diary: February 28, 2020
    February 28, 2020

    Jaime’s Film Diary: February 28, 2020

    Jaime Rebanal
  • 2019: The End of the Decade’s Year in Review
    February 25, 2020

    2019: The End of the Decade’s Year in Review

    Jaime Rebanal
  • Ten Reasons Why ‘Parasite’ Deserves to Win Best Picture at the Oscars
    February 8, 2020

    Ten Reasons Why ‘Parasite’ Deserves to Win Best Picture at the Oscars

    Jaime Rebanal
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