Jaime Rebanal

July 26, 2019

‘Triple Frontier’ Review: J. C. Chandor’s Most Expensive Film Bites More than It Can Chew

Jaime Rebanal
July 15, 2019

‘Candyman’ Review: When Generations of Horrific Prejudice Become Eternalized

Jaime Rebanal
July 13, 2019

‘Blue Velvet’ Review: The Hypnotic Aura of David Lynch’s Strange World

Jaime Rebanal
July 12, 2019

‘Welcome to the Dollhouse’ Review: An Uncomfortably Comic Portrait of Adolescence’s Tragedies

Jaime Rebanal
July 10, 2019

‘Toy Story 4’ Review: A Worthy Conclusion to Pixar’s Long-Running Saga

Jaime Rebanal
July 5, 2019

‘Toy Story 3’ Review: Passing the Enduring Legacy from One Generation to the Next

Jaime Rebanal
July 2, 2019

‘Toy Story 2’ Review: One of the Greatest Animated Sequels Ever Made

Jaime Rebanal
June 27, 2019

‘Toy Story’ Review: The Enduring Freshness of the First Ever Fully Computer-Animated Feature

Jaime Rebanal
June 23, 2019

‘My Own Private Idaho’ Review: A Gay Shakespearean Tragedy for the Lost American Youth

Jaime Rebanal
June 17, 2019

‘Giant Little Ones’ Review: A Decent Queer Coming-of-age Drama With Little New Ground to Cover

Jaime Rebanal