• 

  November 2, 2023

  ‘The Killer’ Review: As Cold as a Smiths Song

  Jaime Rebanal

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  September 28, 2023

  ‘Flora and Son’ TIFF Review: Vulgar and Warm-Hearted, Like Its Songs

  Jaime Rebanal

• 

  August 23, 2023

  ‘Joy Ride’ Review: Dirty, Nasty, and Sweet as it is Funny

  Jaime Rebanal

• 

  August 22, 2023

  ‘Guardians of the Galaxy Vol. 3’ Review: A Fond Farewell for a Beloved Team

  Jaime Rebanal

• 

  August 8, 2023

  ‘Barbie’ Review: Can a Toy Commercial Truly Be Radical?

  Jaime Rebanal

• 

  June 14, 2023

  ‘BlackBerry’ Review: Making Entertainment Out of the Ongoing Cell Phone Wars

  Jaime Rebanal

• 

  July 19, 2022

  ‘The Bob’s Burgers Movie’ Review: A Quiet Jewel

  austinshinn

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  September 26, 2021

  ‘Spencer’ TIFF Review: The Unseen Tragedy of a Beloved Figure

  Jaime Rebanal

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  March 4, 2020

  ‘The Invisible Man’ Review: A Modern Spin on a Classic Horror Story with a Very Real Looming Fear

  Jaime Rebanal

• 

  November 19, 2019

  ‘Atlantics’ TIFF Review: Mati Diop’s Feature Directorial Debut is Hauntingly Gorgeous

  Jaime Rebanal