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Cinema from the Spectrum

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Reviews

  • ‘Extraction’ Review: A Pretty Setting Does Not Make an Exciting Action Movie
    August 8, 2020

    ‘Extraction’ Review: A Pretty Setting Does Not Make an Exciting Action Movie

    Jaime Rebanal
  • ‘Da 5 Bloods’ Review: A Potent, if Indulgent Affair from Spike Lee
    July 19, 2020

    ‘Da 5 Bloods’ Review: A Potent, if Indulgent Affair from Spike Lee

    Jaime Rebanal
  • ‘The Tale of the Princess Kaguya’ Review: A Beautiful Fairy Tale Far Beyond Simply Modern Reinvention
    July 1, 2020

    ‘The Tale of the Princess Kaguya’ Review: A Beautiful Fairy Tale Far Beyond Simply Modern Reinvention

    Jaime Rebanal
  • ‘Princess Mononoke’ Review: Hayao Miyazaki’s Bloodiest is Among His Most Breathtaking and Humanistic
    June 18, 2020

    ‘Princess Mononoke’ Review: Hayao Miyazaki’s Bloodiest is Among His Most Breathtaking and Humanistic

    Jaime Rebanal
  • ‘Bamboozled’ Review: A Brilliant Satire That Hits You Like a Sledgehammer
    June 15, 2020

    ‘Bamboozled’ Review: A Brilliant Satire That Hits You Like a Sledgehammer

    Jaime Rebanal
  • ‘Castle in the Sky’ Review: The Adventurous Spirits in Miyazaki’s Vision
    May 19, 2020

    ‘Castle in the Sky’ Review: The Adventurous Spirits in Miyazaki’s Vision

    Jaime Rebanal
  • ‘Kiki’s Delivery Service’ Review: How Miyazaki Finds Magic in What We Love
    May 8, 2020

    ‘Kiki’s Delivery Service’ Review: How Miyazaki Finds Magic in What We Love

    Jaime Rebanal
  • ‘Nausicaä of the Valley of the Wind’ Review: Miyazaki’s Search for Hope Under Bleak and Tragic Circumstances
    May 3, 2020

    ‘Nausicaä of the Valley of the Wind’ Review: Miyazaki’s Search for Hope Under Bleak and Tragic Circumstances

    Jaime Rebanal
  • ‘Perfect Blue’ Review: Confronting False Idols in Satoshi Kon’s Debut Feature
    April 22, 2020

    ‘Perfect Blue’ Review: Confronting False Idols in Satoshi Kon’s Debut Feature

    Jaime Rebanal
  • ‘Onward’ Review: Pixar’s Latest Isn’t Exactly a Step Forward
    April 19, 2020

    ‘Onward’ Review: Pixar’s Latest Isn’t Exactly a Step Forward

    Jaime Rebanal
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