2018

January 5, 2019

High Life, a Contemplative, Tragic Tale Made Haunting by Director Claire Denis’s Thoughtfulness: TIFF Review

Jaime Rebanal
January 3, 2019

Olivier Assayas’s Non-Fiction is a Funny but Empty Comedy: TIFF Review

Jaime Rebanal
December 27, 2018

Cam and the Horrors Behind an Online Identity: Review

Jaime Rebanal
December 25, 2018

Shoplifters Review: A Heart-Wrenching, Beautiful, Morally Complex Tale of a Family’s Togetherness Amidst Poverty

Jaime Rebanal
December 18, 2018

Experiencing the Greater Hunger in Lee Chang-dong’s Burning: Review

Jaime Rebanal
December 17, 2018

Adam McKay’s Vice, or How My Hatred For Dick Cheney Only Grows Stronger: A Review

Jaime Rebanal
December 16, 2018

Good Times are to be Had with Bad Times at the El Royale: Review

Jaime Rebanal
December 14, 2018

The Sisters Brothers Review: Fun Western That Doesn’t Quite Boast the Most of Its Talent

Jaime Rebanal
December 10, 2018

Jean-Luc Godard’s The Image Book or How I’ve Come To Realize the Limits of Cinema as a Medium: TIFF Review

Jaime Rebanal
December 7, 2018

Yorgos Lanthimos’s The Favourite is His Funniest, Most Beautiful, and Most Tragic Effort Yet: Review

Jaime Rebanal