General Thoughts: The 90th Academy Awards

One knows already how predictable the Academy Awards can become after the route of the Golden Globes and the SAG Awards among many more, but in the 90 years that we have seen them moving onward, what they had managed to turn forth was not only one of the strongest lineups in a while but also one of the most pleasantly surprising, knowing where their own habits lie. If there was anything else to be said about what the Academy Awards have in store for us this year, then it only makes this year’s ceremony – unlike the past few at least, worth looking forward to.

Bold indicates my vote for said category.
Underline indicates who I think will win.

To read more about the picks this year in the major categories, click “read more.” Continue reading →

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Murder on the Orient Express (2017) – Review

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For all we know this probably isn’t going to be the last adaptation of Agatha Christie’s Murder on the Orient Express but after having already been adapted for the screen as a theatrical film in 1974 and twice for television, one can only expect that a recent spin would at least feel distinguishable because it would at least try to find a way to introduce the story to a newer audience. In some sense it would seem that Kenneth Branagh would be both the perfect choice not only to direct but also to star in the film as Christie’s Hercule Poirot, but quickly enough I was asking myself who exactly was this film being made for. For as appealing as the idea of a stylized period piece based on Agatha Christie can be, the marketing gave an idea it didn’t seem to know who it was for from the inclusion of an Imagine Dragons song. For as much as I’m thankful that awful song isn’t in the movie, it still rings off as exactly what I described prior; a new adaptation that has no idea who it’s for.

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Blade Runner 2049 – Review

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The mere idea of a sequel to Ridley Scott’s Blade Runner was always going to be troubling to me because the original is one of my favourite science fiction films, let alone one of my all-time favourite films. Seeing what Denis Villeneuve had done for the science fiction genre with his recent Arrival had only left me raising my hopes, and to say they were met is an understatement when talking about Blade Runner 2049. For not only is Blade Runner 2049 a sequel that expands beautifully upon the creativity that was shown in its predecessor but one built with the same thought and care which made the original as remarkable as it is. It isn’t a sequel that merely retreads a path that people are familiar with, but one that expands upon the ideas its predecessor had established forming not only a worthy sequel after a long period of time, yet also one destined to become a landmark of its generation in the same way the original film is.

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Logan – Review

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The end of an era has come upon us with Logan, James Mangold’s second film for the X-Men series to star Hugh Jackman as The Wolverine together with the final intended performance from Jackman in the role. I’ve grown up watching the X-Men films but now a heartbreaking end must come for a character whom I’ve grown up watching all the years and with the Wolverine standalone films not particularly being above average (X-Men Origins: Wolverine being rather dire), it’s only pleasing to see that Logan was as wonderful as it was but at the same time, it packs the emotional gut punch not only supported by knowledge this is going to be Jackman’s final appearance, rather instead from the journey we’ve taken and how far we’ve gone.

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