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  March 23, 2019

  Us Review: Jordan Peele’s Sophomore Boasts a Confident Eye Behind the Genre

  Jaime Rebanal

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  January 29, 2019

  David Fincher’s Gone Girl, and Gillian Flynn’s Understanding of Female Psychopathy: A Review

  Jaime Rebanal

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  January 1, 2019

  The Conformist Review: An Ever-So Damning Portrait of a Descent from Humanity

  Jaime Rebanal

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  December 18, 2018

  Experiencing the Greater Hunger in Lee Chang-dong’s Burning: Review

  Jaime Rebanal

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  December 16, 2018

  Good Times are to be Had with Bad Times at the El Royale: Review

  Jaime Rebanal

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  November 15, 2018

  TV Review: Homecoming is a Powerful, Paranoid Demonstration of Everything That Makes TV Great

  Chuck Winters

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  November 13, 2018

  Claire Foy is a Great Lisbeth Salander, but The Girl in the Spider’s Web is Not a Great Lisbeth Salander Story: Review

  Jaime Rebanal

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  November 8, 2018

  David Gordon Green’s Halloween Sequel is the Push the Franchise Needs Now: Review

  Jaime Rebanal

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  September 30, 2018

  Hold the Dark is Ugly, Lean, and Mean, but Maybe Not Enough: TIFF Review

  Jaime Rebanal

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  September 13, 2018

  Widows is the Most Captivating Heist Film in Years and Stretches Beyond Genre Conventions: TIFF Review

  Jaime Rebanal