Jim Jarmusch's zombie comedy doesn't quite do for zombies what Only Lovers Left Alive did for vampires.
In which Jaime Rebanal reminisces over the many cinematic highlights to come by in 2018.
This isn't a remake of the 1977 film as opposed to a whole new thing as is, but that's why it's ever so dazzling.
Wes Anderson being the most Wes Anderson he's ever been. (✯✯✯✯✯)
Wes Anderson continues to make Wes Anderson movies, and that's always a good thing. (✯✯✯✯✯)
Calls out excitement against a political background, yet not without its moments of emotional beauty. (✯✯✯✯)
Captures childhood angst and alienation inside of an entertaining background. (✯✯✯✯✯)
As typical as the structure has been from the first day. (✯✯)