In which Jaime Rebanal recounts the best films of 2019.
Greta Gerwig's second film as a director gives a new life to Louisa May Alcott's classic story.
In which Jaime Rebanal reminisces over the many cinematic highlights to come by in 2018.
Felix Van Groeningen's English-language debut is a heartbreaker, but comes from a complicated place in life.
TIFF's second day may be quite slow but being at the red carpet was an interesting experience.
Julia Hart's directorial debut sets a bright future for herself.
One knows already how predictable the Academy Awards can become after the route of the Golden Globes and the SAG Awards among many more, but in the 90 years that we have seen them moving onward, what they had managed to turn forth was not only one of the strongest lineups in a while but [...]
Beyond the limits of love and rather caught within the mystery. (✯✯✯✯✯)
Another year is complete, but not without having talked about the wonderful experiences we've had at the cinemas. Together with the not-so-wonderful films. But alas, this has been an extraordinary year for films for the highlights still managed to stick their landing inside of our minds – and the inevitable "what about such and such?" [...]
If familiar territory for the genre, it still doesn't make the impact any less grander. (✯✯✯✯✯)