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5 Stars

  • ‘Beau Travail’ Review: A Celebration of Claire Denis’s Magnificent Work
    May 28, 2019

    ‘Beau Travail’ Review: A Celebration of Claire Denis’s Magnificent Work

    Jaime Rebanal
  • Booksmart Review: Emotionally Honest and Wholly Funny Debut Sets Forth Olivia Wilde as a Filmmaker to Look Out For
    May 13, 2019

    Booksmart Review: Emotionally Honest and Wholly Funny Debut Sets Forth Olivia Wilde as a Filmmaker to Look Out For

    Jaime Rebanal
  • ‘Police Story’ Review: A Perfect Blend of Death-Defying Action and Slapstick Comedy
    April 23, 2019

    ‘Police Story’ Review: A Perfect Blend of Death-Defying Action and Slapstick Comedy

    Jaime Rebanal
  • ‘Hedwig and the Angry Inch’ Review: The Glamour of Embracing True Self in a Wicked Little Town
    April 13, 2019

    ‘Hedwig and the Angry Inch’ Review: The Glamour of Embracing True Self in a Wicked Little Town

    Jaime Rebanal
  • Metal as an Extension of Human Flesh in David Cronenberg’s ‘Crash’
    April 4, 2019

    Metal as an Extension of Human Flesh in David Cronenberg’s ‘Crash’

    Jaime Rebanal
  • A Fear of Skin and Desire in Claire Denis’s Trouble Every Day
    April 1, 2019

    A Fear of Skin and Desire in Claire Denis’s Trouble Every Day

    Jaime Rebanal
  • Mikey and Nicky Review: Elaine May Breaks Down Masculinity to its Core
    March 19, 2019

    Mikey and Nicky Review: Elaine May Breaks Down Masculinity to its Core

    Jaime Rebanal
  • The Mother and Daughter Dynamics by Way of Ingmar Bergman’s Autumn Sonata: A Review
    March 10, 2019

    The Mother and Daughter Dynamics by Way of Ingmar Bergman’s Autumn Sonata: A Review

    Jaime Rebanal
  • The Matrix Review: How the Wachowskis’ 1999 Science Fiction Film Continues to Inspire Generations to Come
    February 12, 2019

    The Matrix Review: How the Wachowskis’ 1999 Science Fiction Film Continues to Inspire Generations to Come

    Jaime Rebanal
  • David Fincher’s Gone Girl, and Gillian Flynn’s Understanding of Female Psychopathy: A Review
    January 29, 2019

    David Fincher’s Gone Girl, and Gillian Flynn’s Understanding of Female Psychopathy: A Review

    Jaime Rebanal
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