✯✯✯✯½
Sebastián Lelio remakes his own Gloria for the English language with Gloria Bell, a film he made out of love for his own mother – but having a more refined eye behind the camera in the years since the original, this shot-for-shot remake of the original doesn’t only find a new reach to an English-speaking world. This isn’t any other shot-for-shot remake of a foreign language film, but it’s also a film that feels so wholly liberating from first frame to last, and celebrates what it feels like to carry that spirit no matter how old you are. But that’s the very least of what makes watching Gloria Bell feel every bit as good as it is, because for all I know this happens to be the happiest that I’ve felt watching any of Lelio’s films. It’s easy to admire the Chilean filmmaker’s ability to bring the most out of the actresses he works with if his filmography hasn’t already made that clear enough, but there’s something special about the story that he tells with Gloria which isn’t present in his other films, and perhaps it’s even more polished in this instance.