James Gray's second feature film may have gone understated, but its beauty still shines through.
Jason Reitman's latest film is his best in a while.
Action looks great in neon, not so much the actual content. (✯✯½)
Too broad for its own good but nevertheless intriguing. (✯✯✯½)
Exploitative and tasteless in the worst possible ways, to the point of condescension. (½)
Gorgeous from first frame to last and as imaginative as one can want. (✯✯✯✯½)