Melina Matsoukas's first feature film is a harsh, but frustratingly safe look at the means to survive on the run at the hands of police brutality.
Jim Jarmusch's zombie comedy doesn't quite do for zombies what Only Lovers Left Alive did for vampires.
Often set up without consequence, with evidence of incompletion. (✯✯)
Finds Assayas in a more experimental state than ever, and always hypnotizing. (✯✯✯✯½)