comedy

September 28, 2023

‘Flora and Son’ TIFF Review: Vulgar and Warm-Hearted, Like Its Songs

Jaime Rebanal
September 23, 2023

‘The Holdovers’ TIFF Review: Listening to the Wind of a Cold-Hearted Scrooge

Jaime Rebanal
September 22, 2023

‘American Fiction’ TIFF Review: Interrogative Satire on Diversity Standards Takes Audiences to Task

Jaime Rebanal
August 23, 2023

‘Joy Ride’ Review: Dirty, Nasty, and Sweet as it is Funny

Jaime Rebanal
August 8, 2023

‘Barbie’ Review: Can a Toy Commercial Truly Be Radical?

Jaime Rebanal
July 3, 2023

‘Asteroid City’ Review: Wes Anderson’s Sci-Fi Romp is a Triumph

Jaime Rebanal
June 14, 2023

‘BlackBerry’ Review: Making Entertainment Out of the Ongoing Cell Phone Wars

Jaime Rebanal
June 5, 2023

‘Are You There God? It’s Me, Margaret.’ Review: The (Awkward) Nature of Growing Up

Jaime Rebanal
November 12, 2022

‘Triangle of Sadness’ TIFF Review: Palme d’Or Winning Satire Comes Packaged Without Filter

Jaime Rebanal
September 27, 2022

‘Bros’ TIFF Review: Baby Steps First, but a Nice Leap for Mainstream Queer Representation

Jaime Rebanal