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  • ‘Kiki’s Delivery Service’ Review: How Miyazaki Finds Magic in What We Love
    May 8, 2020

    ‘Kiki’s Delivery Service’ Review: How Miyazaki Finds Magic in What We Love

    Jaime Rebanal
  • ‘Perfect Blue’ Review: Confronting False Idols in Satoshi Kon’s Debut Feature
    April 22, 2020

    ‘Perfect Blue’ Review: Confronting False Idols in Satoshi Kon’s Debut Feature

    Jaime Rebanal
  • ‘Onward’ Review: Pixar’s Latest Isn’t Exactly a Step Forward
    April 19, 2020

    ‘Onward’ Review: Pixar’s Latest Isn’t Exactly a Step Forward

    Jaime Rebanal
  • ‘Dead Ringers’ Review: A Psychologically Visceral Tale of Symbiotic Horror
    March 19, 2020

    ‘Dead Ringers’ Review: A Psychologically Visceral Tale of Symbiotic Horror

    Jaime Rebanal
  • ‘1917’ Review: A Faceless, if Harrowing War Experience
    February 3, 2020

    ‘1917’ Review: A Faceless, if Harrowing War Experience

    Jaime Rebanal
  • ‘Little Women’ Review: Greta Gerwig’s Adaptation of a Classic Tale Reaffirms Its Impact
    February 2, 2020

    ‘Little Women’ Review: Greta Gerwig’s Adaptation of a Classic Tale Reaffirms Its Impact

    Jaime Rebanal
  • ‘A Face in the Crowd’ Review: Kazan’s Prophetic Satire May Forever Remain Relevant
    January 12, 2020

    ‘A Face in the Crowd’ Review: Kazan’s Prophetic Satire May Forever Remain Relevant

    Jaime Rebanal
  • ‘The Platform’ Review: A Satire Most Likely to Ruin Your Meal
    December 30, 2019

    ‘The Platform’ Review: A Satire Most Likely to Ruin Your Meal

    Jaime Rebanal
  • ‘Antigone’ Review: Sophie Deraspe Adapts Ancient Greek Tragedy to Timely Effect
    December 19, 2019

    ‘Antigone’ Review: Sophie Deraspe Adapts Ancient Greek Tragedy to Timely Effect

    Jaime Rebanal
  • ‘Wild at Heart’ Review: A Tender, Twisted, Dark Love Story from David Lynch
    December 17, 2019

    ‘Wild at Heart’ Review: A Tender, Twisted, Dark Love Story from David Lynch

    Jaime Rebanal
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