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Film Reviews

  • ‘Hedwig and the Angry Inch’ Review: The Glamour of Embracing True Self in a Wicked Little Town
    April 13, 2019

    ‘Hedwig and the Angry Inch’ Review: The Glamour of Embracing True Self in a Wicked Little Town

    Jaime Rebanal
  • ‘Pet Sematary’ Review: Trades a Poignant Grief Metaphor for Generic Horror Fodder
    April 11, 2019

    ‘Pet Sematary’ Review: Trades a Poignant Grief Metaphor for Generic Horror Fodder

    Jaime Rebanal
  • Shazam! Review: Funny and Innocent on the Outside, Dark but Sweet on the Inside
    April 7, 2019

    Shazam! Review: Funny and Innocent on the Outside, Dark but Sweet on the Inside

    Jaime Rebanal
  • ‘Aquaman’ Review: Working with Too Much Within Too Little
    April 7, 2019

    ‘Aquaman’ Review: Working with Too Much Within Too Little

    Jaime Rebanal
  • Metal as an Extension of Human Flesh in David Cronenberg’s ‘Crash’
    April 4, 2019

    Metal as an Extension of Human Flesh in David Cronenberg’s ‘Crash’

    Jaime Rebanal
  • Juliette Binoche and the Search for a Sense of Connection in Claire Denis’s Let the Sunshine In
    April 2, 2019

    Juliette Binoche and the Search for a Sense of Connection in Claire Denis’s Let the Sunshine In

    Jaime Rebanal
  • A Fear of Skin and Desire in Claire Denis’s Trouble Every Day
    April 1, 2019

    A Fear of Skin and Desire in Claire Denis’s Trouble Every Day

    Jaime Rebanal
  • Us Review: Jordan Peele’s Sophomore Boasts a Confident Eye Behind the Genre
    March 23, 2019

    Us Review: Jordan Peele’s Sophomore Boasts a Confident Eye Behind the Genre

    Jaime Rebanal
  • The Dirt Review: A Safe Story About a Dangerous Band
    March 22, 2019

    The Dirt Review: A Safe Story About a Dangerous Band

    Chuck Winters
  • Mikey and Nicky Review: Elaine May Breaks Down Masculinity to its Core
    March 19, 2019

    Mikey and Nicky Review: Elaine May Breaks Down Masculinity to its Core

    Jaime Rebanal
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