Jim Jarmusch's zombie comedy doesn't quite do for zombies what Only Lovers Left Alive did for vampires.
Wes Anderson being the most Wes Anderson he's ever been. (✯✯✯✯✯)
Wes Anderson continues to make Wes Anderson movies, and that's always a good thing. (✯✯✯✯✯)
Captures childhood angst and alienation inside of an entertaining background. (✯✯✯✯✯)
Captures a natural mood of alienation to evoke a sense of resonance. (✯✯✯✯✯)
Can't find a perfect balance between comedy and tragedy and shifts far too much. (✯✯✯)
As beautiful as it is empty. (✯✯)