Blade Runner – Review

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It still amazes me that after thirty years of being butchered from studio interference and having been ignored during its original theatrical run, Ridley Scott’s Blade Runner still feels refreshing as if it were something that had only recently came out. Like the best science fiction films it isn’t one whose wonder lies within the excitement created by its distinctive visual style but how it presents itself – not as a showcase for hypnotic set pieces but as a meditation on life, pushing towards what we are afraid to ask. Even today the genre subversions still feel present and on rewatches I only find myself appreciating it all the more, after having already been left fascinated with a first watch. But it wasn’t until more revisits mere fascination grew into adoration, and soon the resonant effect of Blade Runner only made itself clear.

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Who Framed Roger Rabbit – Review

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The “childhood favourite” area can be seen as a danger zone in some circles when we look at how some of the films that we liked back before our tastes have developed into what we are now are so vastly different. But the moment we still recognize our childhood favourites today as something of a standout is where another story comes by, and in the case of Who Framed Roger Rabbit, it has continued to blow my mind with subsequent revisits. For how hit-and-miss Robert Zemeckis can be especially when it comes to his choices of what material he handles, one film in particular still holds up better than all the rest and the brilliance of Who Framed Roger Rabbit still lasts perfectly in this day and age. There are films that put together live action actors and cartoon characters together and then there’s Who Framed Roger Rabbit – something of its own level.

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