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Jaime Rebanal

  • ‘Dark Phoenix’ Review: A Sour Final Note for the X-Men Series
    June 15, 2019

    ‘Dark Phoenix’ Review: A Sour Final Note for the X-Men Series

    Jaime Rebanal
  • ‘The Dead Don’t Die’ Review: Jarmusch’s Zombie Comedy is Dead on Arrival
    June 13, 2019

    ‘The Dead Don’t Die’ Review: Jarmusch’s Zombie Comedy is Dead on Arrival

    Jaime Rebanal
  • My Seven Minutes with Dolly and Emily and Grace: An Interview about ‘Good Posture’
    June 11, 2019

    My Seven Minutes with Dolly and Emily and Grace: An Interview about ‘Good Posture’

    Jaime Rebanal
  • Víctor Erice’s ‘El Sur’ May be Incomplete, But Its Power Still Resonates Deeply: A Review
    June 9, 2019

    Víctor Erice’s ‘El Sur’ May be Incomplete, But Its Power Still Resonates Deeply: A Review

    Jaime Rebanal
  • ‘Rocketman’ Review: A Perfect Tribute to a Life Beyond the Yellow Brick Road
    June 6, 2019

    ‘Rocketman’ Review: A Perfect Tribute to a Life Beyond the Yellow Brick Road

    Jaime Rebanal
  • ‘Pyaasa’ Review: Guru Dutt’s Hauntingly Semi-Autobiographical Poem
    June 3, 2019

    ‘Pyaasa’ Review: Guru Dutt’s Hauntingly Semi-Autobiographical Poem

    Jaime Rebanal
  • ‘Lords of Chaos’ Review: A Black Metal Film for Posers
    June 2, 2019

    ‘Lords of Chaos’ Review: A Black Metal Film for Posers

    Jaime Rebanal
  • ‘Godzilla: King of the Monsters’ Review: Kaiju Ridiculousness Cranked Up a Notch
    May 31, 2019

    ‘Godzilla: King of the Monsters’ Review: Kaiju Ridiculousness Cranked Up a Notch

    Jaime Rebanal
  • ‘Godzilla’ Review: Living Underneath the Trauma of Post-WWII Japan
    May 30, 2019

    ‘Godzilla’ Review: Living Underneath the Trauma of Post-WWII Japan

    Jaime Rebanal
  • ‘Beau Travail’ Review: A Celebration of Claire Denis’s Magnificent Work
    May 28, 2019

    ‘Beau Travail’ Review: A Celebration of Claire Denis’s Magnificent Work

    Jaime Rebanal
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