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Cinema from the Spectrum

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Reviews

  • ‘Police Story’ Review: A Perfect Blend of Death-Defying Action and Slapstick Comedy
    April 23, 2019

    ‘Police Story’ Review: A Perfect Blend of Death-Defying Action and Slapstick Comedy

    Jaime Rebanal
  • ‘Glass’ Review: M. Night Shyamalan’s Belated Sequel Fulfills its Shattered Potential
    April 22, 2019

    ‘Glass’ Review: M. Night Shyamalan’s Belated Sequel Fulfills its Shattered Potential

    Jaime Rebanal
  • ‘Overlord’ Review: WWII Horror Never Holds Back on the Gore, Fulfilling Its Promise
    April 21, 2019

    ‘Overlord’ Review: WWII Horror Never Holds Back on the Gore, Fulfilling Its Promise

    Jaime Rebanal
  • ‘Ratcatcher’ Review: Lynne Ramsay’s Debut is an Unflinching Recollection of Trauma
    April 19, 2019

    ‘Ratcatcher’ Review: Lynne Ramsay’s Debut is an Unflinching Recollection of Trauma

    Jaime Rebanal
  • ‘Her Smell’ Review: Elisabeth Moss Explodes in This Punk Rock Tragedy
    April 16, 2019

    ‘Her Smell’ Review: Elisabeth Moss Explodes in This Punk Rock Tragedy

    Jaime Rebanal
  • ‘Hedwig and the Angry Inch’ Review: The Glamour of Embracing True Self in a Wicked Little Town
    April 13, 2019

    ‘Hedwig and the Angry Inch’ Review: The Glamour of Embracing True Self in a Wicked Little Town

    Jaime Rebanal
  • ‘Pet Sematary’ Review: Trades a Poignant Grief Metaphor for Generic Horror Fodder
    April 11, 2019

    ‘Pet Sematary’ Review: Trades a Poignant Grief Metaphor for Generic Horror Fodder

    Jaime Rebanal
  • Shazam! Review: Funny and Innocent on the Outside, Dark but Sweet on the Inside
    April 7, 2019

    Shazam! Review: Funny and Innocent on the Outside, Dark but Sweet on the Inside

    Jaime Rebanal
  • ‘Aquaman’ Review: Working with Too Much Within Too Little
    April 7, 2019

    ‘Aquaman’ Review: Working with Too Much Within Too Little

    Jaime Rebanal
  • Metal as an Extension of Human Flesh in David Cronenberg’s ‘Crash’
    April 4, 2019

    Metal as an Extension of Human Flesh in David Cronenberg’s ‘Crash’

    Jaime Rebanal
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