Spike Lee's politically incorrect media satire from 2000 only hits with a different resonance today.
James Gray's second feature film may have gone understated, but its beauty still shines through.
Hong Sang-soo's third film is a conversation about movies, subtly moody in the best way.
Steven Soderbergh's Oscar winning film remains among his best efforts.
Works as pure entertainment for children and an allegory for prisoners of war. (✯✯✯✯½)
Captures a specific mood so perfectly, and traps its own viewers within that feeling from start to finish. (✯✯✯✯✯)
Life, in all its beauty. (✯✯✯✯✯)
Slick action sequences make up for the needless convolution of the first, yet still somewhat flat. (✯✯✯)