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This new film directed by Todd Haynes (Safe, Far from Heaven, Carol) takes another uncomfortable look into the darker side of American suburbia, and as expected, it never holds back with its punches. But given the nature of how a story was covered by the tabloids when something similar had broke out, what makes a film like May December feel like it’s working its way under your skin. Even then, I think the brilliance of Todd Haynes’s approach to telling this story comes forth in knowing that the gravity of what has actually happened cannot properly be understood by tabloid conversation let alone art about the matter; so in a sense, it ends up becoming a clever film about its own making.
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