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When you think about how much Wadjda has achieved in history, it’s quite a miracle that this movie was made. Aside from being the first film shot entirely within Saudi Arabia, it is also the first film to have been directed by a Saudi woman. But even to think that it will seem conventional from an outsider’s perspective of Saudi culture, there’s a much greater level to which Wadjda speaks for because of what ground it breaks for their own society. It’s a film that came right out from a country where we know that cinema in general had been banned for years, but the transgressive nature behind what we already can see as a simple coming-of-age tale is among many factors that make Wadjda all the more admirable.
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