‘Dune: Part Two’ Review: A Labour of Love for Frank Herbert

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It would be very difficult to adapt a very dense book like Frank Herbert’s Dune into just one film. It only fits that Denis Villeneuve would adapt the first of these books into a two-part film, and the end result is that these two films are maybe the most ambitious films that he’s made in his career to date. Where the first film left on a note where it was feeling like an appetizer, Dune: Part Two feels as if it were letting that scope grow even more than you’d remember having seen. That alone might be a perfect testament to what makes Villeneuve one of the most exciting filmmakers working in the blockbuster scene right now.

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2017: A Year in Review

Another year is complete, but not without having talked about the wonderful experiences we’ve had at the cinemas. Together with the not-so-wonderful films. But alas, this has been an extraordinary year for films for the highlights still managed to stick their landing inside of our minds – and the inevitable “what about such and such?” will come but I will remind you that it would have been outright impossible for me to have been able to catch virtually every movie that had come out the previous year to make sure I wouldn’t forget other highlights that may not have made it.
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Blade Runner 2049 – Review

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The mere idea of a sequel to Ridley Scott’s Blade Runner was always going to be troubling to me because the original is one of my favourite science fiction films, let alone one of my all-time favourite films. Seeing what Denis Villeneuve had done for the science fiction genre with his recent Arrival had only left me raising my hopes, and to say they were met is an understatement when talking about Blade Runner 2049. For not only is Blade Runner 2049 a sequel that expands beautifully upon the creativity that was shown in its predecessor but one built with the same thought and care which made the original as remarkable as it is. It isn’t a sequel that merely retreads a path that people are familiar with, but one that expands upon the ideas its predecessor had established forming not only a worthy sequel after a long period of time, yet also one destined to become a landmark of its generation in the same way the original film is.

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2016: The Standouts

It’s inevitable that after a passing year one must go about with talking upon what they’ve witnessed while time had gone on and with 2016 gone, a great year of cinema has indeed passed upon us and we’re only hoping for even more with a new one. In this blog entry, what I wish to cover are some of the best and worst films that I caught all throughout 2016 as of February 25, 2017. Continue reading →

Arrival – Review

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There was a single point in Arrival to which I just had one simple thought running, one that struck my own face in awe – because what Denis Villeneuve has left behind hits as a modern day Solaris could. In a way, it hits beats that could remind one of Steven Spielberg’s Close Encounters of the Third Kind, maybe not in a direct manner with the sentimentality of said work but in a more grim approach which he had been employing from Prisoners onward. I had a good feeling that his own experimentation with atmosphere can lead only to the very best when I came out of watching Sicario, but with Arrival, Villeneuve has outdone himself. It may be early to call it, but I feel it is set to grow to become a defining work in 21st century science fiction cinema – maybe the best we have gotten since Alfonso Cuarón’s Children of Men.

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