willem dafoe

September 25, 2024

‘Saturday Night’ TIFF Review: All the Chaos and None of the Insight

Jaime Rebanal
July 1, 2024

‘Kinds of Kindness’ Review: An Uneven Anthology Missing Lanthimos’s Provocations

Jaime Rebanal
December 5, 2023

‘Poor Things’ Review: Perverted, Outrageous, Romantic, Exquisite

Jaime Rebanal
November 14, 2023

‘The Boy and the Heron’ TIFF Review: Late-Period Miyazaki Reminiscing About His Youth

Jaime Rebanal
July 3, 2023

‘Asteroid City’ Review: Wes Anderson’s Sci-Fi Romp is a Triumph

Jaime Rebanal
June 28, 2022

‘The Northman’ Review: Valhalla Arises in Robert Eggers’s New Epic

Jaime Rebanal
February 28, 2020

Jaime’s Film Diary: February 28, 2020

Jaime Rebanal
February 25, 2020

2019: The End of the Decade’s Year in Review

Jaime Rebanal
December 17, 2019

‘Wild at Heart’ Review: A Tender, Twisted, Dark Love Story from David Lynch

Jaime Rebanal
October 10, 2019

‘The Lighthouse’ TIFF Review: Robert Eggers’s Second Feature is Terrifying and Wholly Gorgeous

Jaime Rebanal